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The pieces which are chiefly dance music are by several composers. Some are by John Dowland, but the greater number are by D. B. Some of the tunes bear names, as An Roper's Delight; Robin, come away. This is a portion of the same collection as Dd.02.11.

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Authors include Sir Henry Purcell, George Handel, Sir Walter Scott and Lord Byron.

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Three letters from Sir Arthur Bliss to Mr Roest (24 February, 16 May and 3 August 1966), with a sheet of notes in a different hand.

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Three documents in the hand of Arthur Bliss: 'List of Five Works in order of Merit' (judgements on musical compositions submitted for a competition), 8 December 1932; letter to Mr Percival, 8 April [no year]; letter to 'Capell', 23 November [no year].

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With accounts and programmes, 53 folios.

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A series of 1163 canons upon the plain-song 'Miserere' constructed by George Waterhouse. The old church-melody ‘Miserere’ is written at the head of each page on a stave of four lines; and between the two parts, forming each of the 1163 accompaniments, the words ‘2 parts in one’ are written. This phrase indicates that the two parts between which it is placed are to be sung together as an accompaniment to the plain song. On the last leaf there is a short list of errata.

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Chants arranged in order from first to last day of the month and comprising chants for the Venite and Psalms for the day. The name of the composer is written over each. The majority of the chants are published.

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Diaries, writings on the history of music in Cambridge and the history of the Vatican library, correspondence and papers on Ximénès Doudan, Caspar von Kinschot and Reyner Wolfe.

Scope and Contents Chorale Directorium, in an elaborate Italian hand in imitation of print, 14 folios. A collection of the prayers, antiphons, etc., sung on festivals and other occasions by the choir of the Ducal Convent at Venice. On fos 2v and 11v a few prayers are added in another hand. Most headings and a prayer on fo. 10 are in Italian. The headings and most initials are in gilt lettering. Other initials are in green. Each page has a rectangular border in gold or green. The lettering of the title-page...

Scope and Contents The collection contains papers relating to all work undertaken by Colin Matthews as a result of his input into the 1976 publication of the Mahler Tenth Symphony (specifically, revised scores on movements II and III marked up for the copyist) and from his work on the posthumous Cooke publications 'Vindications', 'Gustav Mahler', and 'I Saw the World End'.Contents include photocopies of many Cooke pieces (lecture scripts, talks, programme notes, sleeve notes, articles, etc.)...

Scope and Contents On 6-line stave. Named pieces include: Anthony Holborne, 'Cradle of Conceits'; John Dowland, 'Piper's Pavan and Galliard', 'Lachrymae', 'Pavan', 'A fancy'; W. Hollis, 'John Blundevill's last farewell'; M. Cavendish, 'Galliard'; K. C., 'An answer to cuckoo', 'Lachrymae', 'A fancy'; John Daniell, 'Monsieur's Almayne', 'Rosa'; Thomas Robinson, 'Spanish pavan'; 'Fantasia Laurincini'; several preludes and exercises; 'Robin Galliard'; S. T., 'Pavan' and 'Galliard'; 'Fantasia Newsadlers'; 'Frog...

Scope and Contents Collection of music, various years. Various hands. In English, German and Latin. 1. 11.5 x 8 in. 2 leaves. c. 1580. Song: 'Comes there any mo knaves', with copy of words made by F. J. H. Jenkinson and copy of words and music harmonised in 3 parts made by E. J. Dent, 21 Jan. 1901; 2. 2 leaves. 20th cent. Transcript of F. Pilkington, 'George Pilkington's Funeral' from CUL, MS Dd.2.11, fo.6 (lute music), made by W. C. Denis Browne; 3. 10 leaves. c. 1853. Draft of part of what appears to be an...

Scope and Contents A collection of transcripts of songs and airs from operas, published circa 1780, with one or two instrumental pieces. In two hands, one apparently Italian, and one possibly that of an English lady. Comprising among others the following: (fo. 9) J. Christian Bach: 'In this shady blest Retreat' (1775?); (fo. 12) B. Cooke: 'Hark, hark the Lark'; (fo. 26v) anon: 'My lodging is on the cold ground' (1780?); (fo. 38) P. Anfossi: 'Negl' Elisi ombra onorata' (1775?); (fo. 43) G. F. Händel:...

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A small note-book, written from both ends, containing early exercises - extraction of the square and cube root, elementary Geometry, etc. - followed by annotations of Wallis's Arithmetica Infinitorum. This is preceded by a note of Newton's fixing by an entry in his account-book the date of the annotations as being in the winter 1664-1665, at which time he says he found the method of infinite series. Also notes on music, chances etc.

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(fo. 1) 'Beatus vir', first violin part; (fo. 3) 'Messa Greve' for four voices and instruments; (fo. 47) the same: voice and instrument parts in sequence; (fo. 114) 'Domine' for four voices, violins and trombones; (fo. 144) 'Dixit' for four voices, violins and trombones; (fo. 196) 'Beatus Vir' for four voices, violins and horns; (fo. 246) 'Magnificat'; (fo. 264) 'Credo' for four voices with instruments. Inside front cover bookplate with the letters 'MLThC'.

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Box with original covers from conservation work on items from the library. 2 sets of microfiches of the Dolmetsch Library of Early Music. Documentation on Dolmetsch recordings , Dolmetsch Library (Dolmetsch Library of Early Music microfiche project, Research requests, Restoration, Dolmetsch Foundation) Record of work on statuette of "Lady with viol".

Scope and Contents From the Collection: Many manuscripts acquired by the University Library before the middle of the nineteenth century either originated as or were made up into bound volumes, and were classified alongside printed material. Most carry what is known as a 'two-letter' reference, running (for western manuscripts) from Dd.1.1 through to Oo.7.60. They comprise mainly medieval and early modern manuscripts. This catalogue is based on entries for western post-medieval manuscripts in the 5-volume Catalogue of the...

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Concertos for two violins, viola and bass. (fo. 1) Op. 2; (fo. 22v) Op.3. Six concertos in seven parts, op. 2, published in London 1732, and Paris, 1755, in score. Six concertos, op. 3, London and Paris 1755. This copy was probbaly made from the printed edition of c. 1760. 43 fos. 14.75 x 10.75 in.

Scope and Contents From the Collection: Many manuscripts acquired by the University Library before the middle of the nineteenth century either originated as or were made up into bound volumes, and were classified alongside printed material. Most carry what is known as a 'two-letter' reference, running (for western manuscripts) from Dd.1.1 through to Oo.7.60. They comprise mainly medieval and early modern manuscripts. This catalogue is based on entries for western post-medieval manuscripts in the 5-volume Catalogue of the...

Scope and Contents Bass parts to instrumental trios and quartets. The following composers' names and titles occur: (fo. 5) 'Mr Baptist ground'; (fos 6, 7v) 'Mr Hillton'; (fos 8, 14v, 15, 17, 18v, 42v) 'Mr Babtist'; (fos 9, 11v, 19v, 20, 40v) 'Mr Farmer'; (fos 12, 14, 25v) 'Mr Peasable'; (fo. 12v) 'Round'; (fos 15v, 16) 'Mr Staggins'; (fo. 17) 'Mr Farranell'; (fos 20v, 29, 34) 'Hornpipe'; (fos 24v, 38) 'Mr Farmer's overture'; (fo. 32) 'Corant'; (fos 32, 35) 'Farewell'; (fo. 32v) 'Mr Babtist's chocone'; (fo....

Scope and Contents The collection contains letters and papers relating to the life and career of Hugh Fraser Stewart and to the lives of the members of his family. The papers include correspondence of Stewart's wife Jessie, and of her father, mother and sisters. There is also correspondence of Stewart's brother-in-law Francis Jenkinson, as well as papers acquired by Stewart for his Memoir of the late librarian, published in 1926. The Stewart and Crum families's shared interest in music is represented in the...

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Prefixed are 6 leaves of prayers to our Lady in Dutch, at the end of which is a statement that they are written 'per me Joannem filium Nycolai presbiteri.'

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Includes notes of the musical semitone.

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At the end is a prayer for Charles Emmanuel [I], King of Sardinia. Rubrics in English, suggesting origin in an English convent in the Kingdom of Sardinia. Initials in gree, red, or blue, with occasional decoration. Inside front cover and at foot of p.1: 'Henry Asnon' (18th cent. hand). p. 132: 'T. Scoles's Book of the Gift of Unkle Asnon, Septr 15th 1793'. 66 fos. 7.25 x 4.75 in.

Scope and Contents (fo. 1v) blank; (fo. 2v) 'Povere mie speranze'; (fo. 3v) 'So' che vauti un core ingrato so''; (fo. 5v) 'Donne vegni al balcon che l'orbo'; (fo. 6v) 'La violetta vergognosetta'; (fo. 7v) 'Ah ritorna e ta' dell' oro alla terra'; (fo. 8v) 'Dormia sul margine d'un ruscelletto supinae'; (fo. 9v) 'Pur nel sonno al mentalora vien cole'; (fo. 10v) 'Rondi nella amira pieta fula dolce sua'; (fo. 12v) 'Sulla piazza miei signori ecco qua l'onto'; (fo. 13v) Ho sparso tante lagrime per animo lirti'; (fo....