Drama
Found in 21 Collections and/or Records:
Archives of the Footlights Dramatic Club, 1883 - 2019
Correspondence and accounts of the Senior Treasurer, Cambridge University European Theatre Group, 2009 - 2011
Includes lists of members.
Footlights Dramatic Club, 'the Footlights', 1891 - 2013
GODS (dramatic society), 1964 - 2008
Materials from Churchill College student and staff clubs, societies and associations
Original compositions written for Part I and Part II of the English Tripos, 1949 - 1973
Many compositions are accompanied by envelopes, letters, cover sheets and associated items, and a few bear examiners' comments.
Personal Papers of Elsa Malik, 1924 - 2005
The papers listed here include a miscellany of personal and biographical records, papers from Elsa's time at Girton College, and the manuscripts of four of her plays.
Personal Papers of Gladys Williams, 1904 - 2013
The papers of Gladys Williams consist chiefly of manuscripts of some of her written work (published and unpublished), together with a small quantity of personal and biographical items.
Personal Papers of Jane Catherine Gamble, 1783 - 1884
The papers comprise Jane Gamble's own writings, including her literary compositions; her business papers and related correspondence and also a collection of letters, mementoes and artefacts preserved by her.
Photographs of plays performed by the Cambridge University German Society; with occasional programme and song score, 1936 - 1939
The category - Student administration and support records - comprises records relating to student admissions at all levels, graduate students, visiting senior scholars, student careers advice and welfare, together with the records of clubs and societies.
Play, Early seventeenth century
A tragedy, without title, beginning (Act I scene 1, the speakers being 'Solliman' and 'Rossa') 'Rossa the eternal wisedome dothe not covette ...'; the scene is laid in Turkey.
Plays, 1909 - 1955
Scripts of plays written by Lady Randolph, together with related correspondence and financial papers.
Plays and odes, Seventeenth century
Records of Ark, Cambridge University Twentieth Century Christian Music and Drama Society, 1963 - 2006
The records comprise minutes, scripts, photographs, service sheets, historical notes and reminiscences.
Records of the Cambridge University Mummers, 1929 - 1988
The surviving records are chiefly financial and relate to the organisation and expense of productions. There is a small quantity of programmes, photographs and a poster, 1930-2, 1960 and 1963.
Records of the Cambridge University Spanish Society, 1917 - 1975
The category - Student administration and support records - comprises records relating to student admissions at all levels, graduate students, visiting senior scholars, student careers advice and welfare, together with the records of clubs and societies.
Records of the Committee of Management of the ADC Theatre, 1950 - 1983
The category - Corporate management records - embraces records of the central decision-making bodies, University officers such as the Vice-Chancellor and the Registrary, and their administrative support. It includes constitutional records.
Records of the Marlowe Dramatic Society, 1907 - 1954
The category - Student administration and support records - comprises records relating to student admissions at all levels, graduate students, visiting senior scholars, student careers advice and welfare, together with the records of clubs and societies.
Records relating to the Cambridge University Musical Comedy Club productions, 1953 - 1957
Comprise: programmes, newscutting reviews, photographs, correspondence and occasionally sheet music and costume designs.
Shakespeare Memorial Theatre, 1926-06 - 1942-04
Two Latin plays, Late sixteenth or early seventeenth century
(1) ‘Roxana, tragœdia’ by William Alabaster; the play was acted at Trinity College, Cambridge in 1590; (2) ‘Pastor Fidus, tragi-comœdia’; the play was acted at King’s College, Cambridge.
Valetudinarium, Early seventeenth century
A comedy in five acts, the scene of which is laid in the hospital of St Bartholomew, London. At the close of Act IV there is the music of a song. The play was acted at Queens' College, Cambridge, on 6 February 1637.