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Literary Papers and Correspondence of Anne Stevenson

 Fonds
Reference Code: GBR/0012/MS Add.9451

Scope and Contents

As would be expected from a poet’s archive, a significant proportion of Anne Stevenson’s papers are dedicated to the poems that she wrote, ranging from those initial experimentations as a child to works that were published in her final collection, Completing the Circle. The files relating to her poems tend to hold multiple manuscript, typescript and/or word-processed drafts, along with other versions, which are often annotated in her hand. Those files with multiple drafts reveal a poem’s evolution, and highlight Stevenson’s habit of revising her work after initial publication.

Beyond her poetry, the collection grants researchers an opportunity to explore Stevenson’s other literary output, and the various activities she engaged in to supplement her income. However, it must be stated that the archive holds little relating to her life prior to the 1970s, except for her literary work and some photographs. There is also a dearth of material or nothing at all when it comes to the following: her various fellowships and teaching posts that she held between 1970 and 1994, her involvement in the literary journal that she co-founded, Other Poetry; and the bookshop and publishing company she established with her third husband, while living in Hay-on-Wye, between 1979 and 1981.

Outside of immediate poetry circles, Stevenson is perhaps best known for her controversial 1989 biography of poet Sylvia Plath, Bitter Fame. There is a series of files holding drafts of this publication, which are further supplemented by dedicated correspondence files and a file of research material, the latter held in the Subject Files series. The correspondence files in particular provide an insight into Stevenson’s relationship with Ted Hughes’ sister, Olwyn, and how she shaped the final version of the book.

In regards to the critical studies Stevenson wrote on poet Elizabeth Bishop, the following are present: a typescript draft for the 1966 monograph, and word-processed chapter and book drafts for the 1998 publication, Five Looks at Elizabeth Bishop. The latter is supplemented by a research file in the Subject Files series, which holds correspondence and documentation sent to Stevenson by Ilse Barker and Sandra Barry.

The Translations series holds files connected to Stevenson’s work with Russian-born poet Eugene Dubnov to translate his work into English. There are no published versions of the volumes, The Thousand-Year Minutes and Beyond the Boundaries, within the archive. However, examples are available within the wider holdings of the University Library. The remainder of the Translations series holds Stevenson’s attempts to translate the poems of Soviet-era poets, and other works.

Researchers will also find other examples of Stevenson’s creative output, including scripts for plays set to music, performed during her undergraduate studies at the University of Michigan, along with later works; scripts for factual radio programmes aired on BBC Radio 3 in the 1970s, and her attempts at prose fiction that were never published.

Her other published work comes in the form of various reviews, essays and other articles that she wrote for national newspapers and literary journals/magazines. Drafts of such writings are found in the Criticism series, and proofs and published versions are located in the Publications and Printed Matter series. There are also dedicated series for her autobiographical writings, some of which were published as essays, and the 1998 published collection of selected writings, Between the Iceberg and the Ship.

Stevenson regularly gave lectures/talks, readings and workshops, both in the United Kingdom and the United States. Such activities were arranged by universities, poetry and literary festivals, and other organisations. Drafts of lecture speeches and supporting material can be found in the Criticism series, the Subject Files series, and the Readings and Workshops Material section.

A substantial part of Stevenson’s archive is also given over to her correspondence files. The majority of these files hold letters and other items received through the post, along with printouts of emails, which were sent by friends, family, and various organisations. A number of her contemporaries and admirers within the poetry community are represented, such as Lee Harwood, Seamus Heaney, Tim Kendall, Angela Leighton, John Lucas, Carol Rumens and Matt Simpson. There are also correspondence files that are dedicated to particular topics, including the aforementioned Bitter Fame biography, and Stevenson’s work as the editor on the 1991 publication, The Poetry Book Society Anthology 2.

When it comes to correspondence material, there is also a file of letters and other items relating to the 2003 festschrift, The Way You Say the World: A Celebration for Anne Stevenson. This file of correspondence was presented to Stevenson by John Lucas and Matt Simpson at a party celebrating her seventieth birthday. A signed copy of the book is available in the Publications and Printed Matter series.

Another significant section of Stevenson’s archive that has already been touched upon is the Subject Files series. These files are dedicated to myriad topics and activities, including, but not limited to: Stevenson’s research into her own family history, correspondence and other material connected to the poet and scientist, Geoffrey Dutton, which have been placed into this series due to the sheer amount present; the honorary academic awards that she received, and lecture files that hold various items, not just draft scripts.

The aforementioned Publications and Printed Matter series that holds examples of her work printed in journals/magazines and newspapers, along with editions of some of her poetry collections, is not comprehensive. The following are also present in this section: publicity material connected to the release of her collections, her readings and workshops, and other activities; funeral orders of service for friends and family, self-printed Christmas cards, and examples of invitation cards and tickets for events that she attended, sometimes as the guest of honour.

In regards to publications and other writings, there is also a section containing such material written by persons other than Stevenson. This includes, but is not limited to, copies of poetry collections, and drafts and offprints of journal/magazine essays. Many of these items likely accompanied letters or emails sent to her, but they have become separated. As a consequence, this material has been listed in its own series.

Researchers will also find photographic and audiovisual material within this archive. The majority of the photographic items were taken for promotional purposes, relating to the release of her collections or connected to public events. The audiovisual series is primarily composed of audio recordings, which feature Stevenson either reading her poems or as the subject of an interview. There are also copies of two television documentaries, one on Ted Hughes and the other on Sylvia Plath, which include interview excerpts with Stevenson.

The remainder of the archive is composed of the following: papers relating to her parents, letters and accompanying material deposited by Stevenson’s second husband, Mark Elvin, and their youngest son Charles; items connected to her third husband, Michael Farley; typescript drafts of her poetry collections that she sent to her fourth husband, Peter Lucas, before they were married; notebooks, address books, and a tiny amount of financial material. On the latter, it should be noted that royalty statements received from her publishers are present in the Correspondence series.

Dates

  • Creation: c 1830s-2020

Creator

Conditions Governing Access

The collection is open for consultation by researchers using the Special Collections Reading Room at Cambridge University Library. Please see specific entries within the catalogue for any access restrictions present for particular files or items. For further details on conditions governing access please contact specialcollections@lib.cam.ac.uk . Information about opening hours and obtaining a Cambridge University Library reader's ticket is available from the Library's website (www.lib.cam.ac.uk).

Biographical / Historical

Anne Katharine Stevenson (1933-2020), poet, literary critic, and biographer of Sylvia Plath. Born in Cambridge on 3 January 1933, she was the eldest of three daughters of American philosopher, Charles Leslie Stevenson (1908-1979), and his wife, Louise Destler (1908-1963). While Stevenson lived most of her adult life in the United Kingdom, her childhood was spent in the United States, moving from Cambridge, Massachusetts to Connecticut and other locations as her father’s academic career dictated. The family finally settled in Ann Arbor, when Charles Stevenson was appointed at the University of Michigan in 1946, where he remained until 1977.

Stevenson’s childhood was one of literature and music, and at an early age she took up the piano, followed by the cello a few years later. It was also during this period that she began to write poems, and several of her works were published in issues of the University High School’s student publication, Pegasus. Stevenson’s first published poem, ‘'Red-winged Blackbird,' appears in volume 24 (1948).

In 1950, Stevenson enrolled at the University of Michigan, majoring in music. However, at the beginning of the second semester of her sophomore year, she transferred from the School of Music to the College of Literature, Science and the Arts; switching her major to European literature and history. During her undergraduate studies, she collaborated with fellow student and composer Karl Magnuson to produce two works set to music. The first was a lyrical poem, The Silver Heron, and the other was a one-act opera, Adam and Eve and the Devil. Both were performed at the Inter-Arts Festival, held at the university, in 1952 and 1953, respectively.

Stevenson graduated from the University of Michigan in 1954, as a recipient of one of its Hopwood Awards in literature. Shortly afterwards, she moved to England, and in 1955 married the first of her four husbands, Robin Hitchcock (1931–2007), a management consultant. Hitchcock had previously lived with the Stevenson family, when he was evacuated to the United States during the Second World War. For several years, the couple lived in various locations in the United Kingdom, before relocating to the States in 1958, eventually settling in Atlanta. During these years, Stevenson held teaching jobs and worked as an advertising manager. In 1957, she had her first child, Caroline.

Stevenson’s marriage to Hitchcock broke down at the end of the 1950s, and she and her daughter moved back to Ann Arbor, circa 1960. In 1961, she undertook a masters degree in English at the University of Michigan, where she was encouraged to write by mentors Donald Hall (1928-2018) and Radcliffe Squires (1917-1993), with whom she became lifelong friends. Following the completion of her postgraduate studies, she taught at the Cambridge School of Weston, in Massachusetts.

In 1962, Stevenson married her second husband, Mark Elvin (1938-2023), a sinologist and the son of an old family friend, Lionel (1905-2005). They moved to England in 1964, when Elvin was appointed a lectureship at the University of Cambridge. The couple had two sons, John (b 1966) and Charles (1967-2022).

From the mid-1960s onwards, Stevenson’s poetry began to be published. Her first collection, Living in America, was released in 1965. This was followed by a second collection in 1969, Reversals. The latter publication featured reworked versions of some of the poems found in Living in America, along with originals, and those that had been published in outlets in the intervening years.

In 1966, a monograph written by Stevenson on the poet, Elizabeth Bishop (1911-1979), was published. Work on this critical study began circa 1962, and it led to Stevenson and Bishop establishing a correspondence relationship, which lasted from 1963 until Bishop’s death.

In 1970, Stevenson undertook a six-month fellowship at the Harvard Radcliffe Institute, Massachusetts. This was followed by a string of other fellowships and teaching posts at several institutions during that decade, including: the University of Glasgow, between 1971 and 1973; the University of Dundee, between 1973 and 1975; Lady Margaret Hall, Oxford, from 1975 to 1977, and Bulmershe College, Reading, between 1977 and 1978.

Stevenson’s creative output during the 1970s was broad. She wrote the scripts for a number of factual radio programmes on poets, which aired on BBC Radio 3, between 1973 and 1977. Her seminal work, Correspondences: A Family History in Letters, was published in 1974, along with a collection of her selected poems, Travelling Behind Glass. In regards to Correspondences, BBC Radio 3 also aired a dramatised version of the work in 1975. A further collection of poems was released in 1977, Enough of Green. Throughout the 1970s and until the end of the 2010s, reviews, articles and essays written by Stevenson regularly appeared in Scottish and wider British newspapers, as well as literary magazines and journals.

The marriage between Stevenson and Mark Elvin faltered at the beginning of the 1970s, and even though attempts were made to reconcile, the union ultimately failed. By 1978, Stevenson was in a relationship with poet and editor, Michael John Guy Farley (b 1948), who eventually became her third husband. That year, Stevenson and Farley, along with George Fraser (1915-1980) and Evangeline Paterson (1928-2000), established the literary journal, Other Poetry. In 1979, Stevenson and Farley relocated to the Welsh town of Hay-on-Wye, and opened a poetry bookshop, located in an old mortuary. However, this endeavour was short-lived. The couple also established a small publishing company, Taxvs Press.

In 1981, Stevenson and Farley relocated to Sunderland and then later County Durham, upon Stevenson’s appointment as Northern Arts literary fellow at the universities of Durham and Newcastle, which lasted until 1986. This was followed by another fellowship at the University of Edinburgh, between 1987 and 1989.

Stevenson continued to publish a number of poetry collections during the 1980s, including Minute by Glass Minute (1982), The Fiction-Makers (1985), Winter Time (1986), and a selected poems publication in 1987. However, it was Stevenson’s controversial biography, Bitter Fame: A Life of Sylvia Plath, which grabbed the attention of those in literary circles. The work originally began as a short guide to Plath’s poetry, commissioned by Penguin Books in 1985. But upon reading a draft of the guide, the sister of Ted Hughes and sister-in-law to Plath, Olwyn Hughes, suggested that Stevenson write a full biography, which she accepted. However, due to interventions by Olwyn on the contents of the work, which delayed its completion, Stevenson came to regret that decision. The biography was eventually published in 1989 to mixed reviews. While some reviewers praised Stevenson’s work, others questioned what they regarded as an unflattering portrayal of Plath, and an apparent sympathy for Ted Hughes. The book was later republished in 1998, and it remains and important work on the study of Plath.

Married in 1984, Stevenson’s marriage to Michael Farley fell apart at the end of 1985, partially due to infidelity on the part of the latter. However, even before Stevenson and Farley were married, it appears that she was also having a relationship with Peter Lucas (1938-2021), a civil servant and historian of Charles Darwin, whom she had known since the 1960s. The relationship between Stevenson and Lucas became official by the spring of 1986, and they were married in September 1987, while she was writing Bitter Fame. This marriage gave Stevenson the stability she had previously lacked, and they remained together until her death. Between her fellowship at Edinburgh, and another at the University of Michigan in 1994, they resided in Grantchester, Cambridgeshire. In 1998, the couple settled in Durham, and they split their time with another property in the Welsh county of Gwynedd.

Further poetry collections were published in the 1990s, including The Other House (1990), Four and a Half Dancing Men (1993), and another collection of selected poems in 1996. These works were followed by two publications in 1998: the critical study, Five Looks at Elizabeth Bishop, later republished in 2006; and a collection of previously published essays, reviews and other writings by Stevenson, Between the Iceberg and the Ship.

Since the release of Correspondences in 1974, Oxford University Press had been Stevenson’s primary publisher for her poetry collections. However, when the OUP dropped their poetry list in 1999, she moved over to Bloodaxe Books, founded by Neil Astley (b 1953), whom she had known since the mid-1970s. During the remainder of her lifetime, Bloodaxe published the following collections: Granny Scarecrow (2000), A Report from the Border (2003), Poems 1955-2005 (2005), Stone Milk (2007), Astonishment (2012), and Completing the Circle (2020).

As an admirer of the work of Russian-born poet and novelist, Eugene Dubnov, Stevenson began collaborating with him to translate his poems into English, from the end of the 2000s onwards. This led to two volumes of his work being published by John Lucas’ (1937-2025) Shoestring Press: The Thousand-Year Minutes (2013), and Beyond the Boundaries (2017).

Stevenson also worked with Carla Buranello to translate some of her own poetry into Italian, which were published in a collection in 2018, under the title Le Vie Delle Parole.

Although Stevenson was well-respectable by her peers, it was only in the latter stages of her career that she began to receive recognition from awarding bodies and other organisations for her contribution to poetry.

She was initially presented with an honorary doctorate from Loughborough University in 1997. This was followed by a flurry of other honorary doctorates between 2005 and 2010 from the universities of Durham, Hull, Newcastle and London. Stevenson was also the recipient of an honorary fellowship, presented by St. Chad’s College, Durham, in 2012.

Literary awards began to appear in the 2000s. Stevenson was the inaugural winner of the Northern Rock Foundation Writer’s Award in 2002. Three further prizes were bestowed upon her in 2007: the Lannan Lifetime Achievement Award; the Neglected Masters Award from the Poetry Foundation of America; and the Taylor-Aiken Poet of the Year Award from the University of the South in Tennessee. The publisher, Library of America, also released a collection of her selected works in 2008, which was edited and introduced by British Poet Laureate, Andrew Motion (b 1952). This publication was accompanied by an event in her honour, held at the Colony Club, New York, in December of that year.

As a token of affection and respect by her friends and peers within the poetry community, poets John Lucas and Matt Simpson (1936-2009) compiled a collection of essays and other writings for a festschrift, The Way You Say the World: A Celebration for Anne Stevenson. This publication was released in 2003, coinciding with Stevenson’s seventieth birthday.

Anne Stevenson died from heart failure on 4 September 2020.

Extent

3.48 cubic metre(s) (164 boxes, 1 visifile, and 1 large file.) : Leather; magnetic tape; optical disc; paper; photographic material, plastic, textile

Language of Materials

English

English, Middle (1100-1500)

French

German

Hebrew

Irish

Italian

Japanese

Polish

Russian

Welsh

Arrangement

The top-level arrangement has no specific order. It was largely established when the archive's first deposit arrived at the library in 1997. However, a project to fully catalogue the archive was undertaken in 2025-2026, which slightly modified and added to the previous arrangement.

Other Finding Aids

A hard copy handlist is available for consultation in the Special Collections Reading Room. This handlist pre-dates the online catalogue created in 2025-2026, so some of its information is incomplete or no longer accurate. However, in some circumstances, it does provide a greater depth of information on items held in specific files, which will be of use to researchers.

Immediate Source of Acquisition

The bulk of the collection was presented by Anne Stevenson in 1997, and further smaller deposits were made by her in the 2000s and early 2010s. Following her death in 2020, another substantial amount of material was deposited by her relations.

Bibliography

For further details see John Wells, 'Anne Stevenson: Archives and Publications' in John Lucas and Matt Simpson, compilers, The Way You Say the World: A Celebration for Anne Stevenson, Nottingham: Shoestring Press, 2003, and 'Observing the Overhearing: The Anne Stevenson Papers in Cambridge University Library' and 'Bibliography of Anne Stevenson's Published Works' in Angela Leighton, ed., Voyages Over Voices: Critical Essays on Anne Stevenson, Liverpool: Liverpool University Press, 2010.
Language of description
English
Script of description
Latin

Repository Details

Part of the Cambridge University Library Repository

Contact:
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