Before title page: Transcript of will of James Gage of Framfield, Sussex (1569), made 1832; print, ‘Sir John Gage K.G.’ (from original by Holbein, engraved Bocquet, publ. J. Chamberlain, 1812).
Between pp.306-307, watercolours, ‘Firle the seat of Viscount Gage’, ‘Part of the old House of Firle’, ‘Firle Church’, by SIR THOMAS GAGE.
Between pp.307-308, copy certificate of BONAVENTURE GIFFARD, Vicar Apostolic in England, and BENJAMIN PETRE his coadjutor, that both LADY MARIA HERBERT and JOSEPH GAGE were Roman Catholic, 30 DEC 1731.
Between pp.309-310, watercolour, ‘Sir Edward Gage, 1st Baronet of Hengrave’, by JOHN LINNELL, 1818.
Between pp.310-311, print: Charles II (engraved A.de Blois); watercolours, ‘Basilia eldest daughter of Sir Edward Gage Bart.’, by JOHN LINNELL, 1818; ‘Penelope Sulyard daughter of Sir Edward Gage’, by FRANCES JERNINGHAM, 1820; ‘Mary daughter of Sir Edward Gage wife of William Bond’, by JOHN LINNELL, 1818.
Between pp.311-312, prints: ‘Walter, first Lord Aston’, ‘Richard Weston, Earl of Portland’(drawn R.W. Satchwell, engraved R. Cooper, publ. Lackington etc., 1815, 1817).
Between pp.312-313, print: ‘The gate of the manor house of Tixall, Staffordshire’ (drawn S. Hooper, engraved S. Sparrow, 1775); watercolour of arms of Aston.
Between pp.313-314, print: ‘Basil Fielding, Earle of Denbigh’ (publ. William Richardson, 1811); watercolour, Denbigh coat of arms; prints, George Villiers, 1st Duke of Buckingham; ‘George Duke of Buckingham with his brother Francis, 1636’ (from original by Van Dyck, engraved James M. Ardell, 1752).
Between pp.319-320, watercolour, ‘Sir William Gage 2d Bart. of Hengrave’ (from original by A. de Charras, 1688), by JOHN LINNELL, 1818.
Between pp.321-322, watercolour, ‘Henrietta Duchess of Orleans and Mary Charlotte Bond afterwards wife of Sir Wm. Gage Bart.’, by JOHN LINNELL, 1818.
Between pp.322-323, print of painting above (engraved J. Brown, printed McQueen).
Between pp.323-324, watercolours, arms of Gage and related families.
p.326, inscription on monument to Catherine Sorrell in St. Mary’s, Bury St. Edmunds.
Between pp.327-328, prints, ‘Henry Jermyn Earl of St. Albans’, ‘St. Evremond’ (engraved E. Scriven).
Between pp.328-329, watercolour, ‘Henry Jermyn Earl of St. Albans’, by SIR THOMAS GAGE?
Between pp.329-330, pen and colour wash, ‘Tomb of Henry Jermyn, Earl of St. Albans’, tombs of Sir Thomas Jermyn and Thomas Jermyn, ‘Rushbrooke [Suffolk] the seat of Robert Rushbrooke Esqr.’, by ROBERT RUSHBROOKE; MS notes, Miss CHARLOTTE FITZHERBERT (1753-90), and misc. sheet of notes.
Between pp.330-331, pen and colour wash, monuments to Thomas Lord Jermyn, Thomas Jermyn, Sir Robert Davers of Rushbrooke, by ROBERT RUSHBROOKE.
Between pp.331-332, watercolour, ‘Henry Jermyn Lord Dover, Baron Jermyn’, by SIR THOMAS GAGE?
Between pp.334-335, watercolour, ‘Sir Thomas Bond’, from a miniature, by JOHN LINNELL.
Between pp.339-340, watercolour, ‘Thomas Gage Esqr. Father of Sir Thos. Gage 4th Bart. of Hengrave’, by JOHN LINNELL, 1818.
Between pp.341-342, watercolour, monument to Sir Thomas Gage (d.1741), by SIR THOMAS GAGE?
Between pp.344-345, watercolour, Sir William Gage, by JOHN LINNELL.
Between pp.347-348, watercolour, ‘John Gage second son of Sir William Gage Bart.’, by JOHN LINNELL, 1817.
Between pp.349-350, watercolour, ‘Thomas Rookwood Esqr. Of Coldham, Suffolk’, by SIR THOMAS GAGE?
Between pp.351-352, watercolour, ‘Elizabeth wife of John Gage, and only child of Thomas Rookwood Esqr.’, by JOHN LINNELL, 1817.
Between pp.352-353, watercolours, ‘Lucy wife of Sr. Thomas Rookwood Gage, daughter of William Knight’, by SIR THOMAS GAGE[?]; ‘Sir Thomas Gage fifth Bart of Hengrave’, by JOHN LINNELL, 1817.
Between pp.353-354, watercolour, ‘Richard Knight Esqr.’, by SIR THOMAS GAGE?
Between pp.355-356, watercolour, ‘Elizabeth Lady Monson daughter of Sr. George Reresby’, by SIR THOMAS GAGE?
Between pp.356-357, print, ‘Thurnham Hall, Lancashire’ (J.P. Neale, 1825).
Between pp.357-358, sepia wash views, ‘Cale Hill [Kent] the seat of Henry Darell Esqr.’, ‘Ruins of old Cale Hill’, by the REVD. MR. BULLOCK; pen portrait, Edward Darell; MS translation of Latin ode of which a print of the original Latin is pasted on the following page; watercolour, arms of Gage and Rookwood impaled; Latin ode to Henry Darell, 1767; watercolour, John Dalton junior, from a miniature.
Between pp.358-359, newscuttings, death and funeral of JOHN DALTON, Lancaster Guardian, MAR 1837; pencil sketch of Thurnham Hall, Lancs, ‘as it originally appeared; grey wash, ‘Thurnham Hall, 1817’; newscutting, ‘Laying the foundation stone of the Church of St. Thomas and St. Elizabeth at Thurnham’, 27 MAR 1847; silhouettes, ‘Mary wife of John Dalton … 1815’, ‘John Dalton …junr.’; print, ‘Chapter House Cockersand Abbey Lancashire’ (Engraved by J. Storer, for The Antiquarian & Topographical Cabinet from a drawing by Sr. Thos. Gage Bart.’, publ. W. Clarke, 1808); prints, exterior and interior of Thurnham Church, 1847 (Charles Hansom, architect, engraved J.K. Colling); newscuttings on opening of Thurnham Church, from Preston Chronicle and Lancaster Guardian, 1848.
Between pp.359-360, prints: ‘Thurnham Hall, Lancashire’ (engraved C.J. Greenwood); ‘Lancaster’ (from original by J. Henderson, engraved W. Finden, publ. Fisher); ‘Ancient tomb in Norbury Church’ (Topog. April 1790); ‘Mrs Fitzherbert’ (from original by R. Cosway, engraved John Condé); Coughton Court, Warwickshire, east and west fronts (engraved William Purser, publ. W. Day).
Between pp.360-361, print: ‘Coughton Court, Warwickshire’ (drawn Mary Ann Dalton, engraved John Landseer, publ. J. Landseer, 1877); pencil drawing, ‘Coughton’.
Between pp.361-362, watercolour, ‘Sir Thos. Gage sixth Bart. of Hengrave’, from a miniature.
Between pp.362-363, newscuttings, death of Lady Gage, 1848; death of Sir Thomas Gage, 1820 (from an Italian newspaper); pencil and wash sketch, ‘Coldham Hall’ by TG, 1839; watercolour, ‘Coldham Hall’; watercolours, ‘Sir Thos. Gage, seventh Bart. of Hengrave’ (‘This is not a good likeness of him. T.G.’), ‘Valentine 1st Earl of Kenmare’; watercolours, arms of families related to Gage.
Between pp.363-364, note of General Hammond’s ghost story at Coldham; grey wash drawing with printed inscription, ‘The Old Hall at Coldham, Suffolk, as furnish’d by Genl. Hammond, with the appearance of the ghosts of the two old ladies, seen there in October 1807’; grey wash, ‘Roslyn Lodge, Hampstead. The residence of Robert Gage Rokewode … at the time of his decease1838’.
Between pp.364-365, pencil and watercolour, ‘John Gage’, by JOHN LINNELL, 1818.
p.365, newscutting, ‘Death of J.G. Rokewode’, 14 OCT 1842.
After p.365, notes on later family members, including JOHN GAGE ROKEWODE, WILLIAM GAGE, SIR THOMAS ROKEWODE GAGE; newscuttings including deaths of SIR THOMAS ROKEWODE GAGE, SIR EDWARD GAGE, opening of new R.C. church at Coldham; loose: bookplate of SIR THOMAS GAGE (drawn Signara, engraved Bartolozzi, Lisbon, 1805); London Gazette, 15 MAR 1867, royal licence for SIR EDWARD GAGE to assume surname Rokewode Gage; carte-de-visite photographs of SIR EDWARD GAGE (2) and LADY GAGE; printed ‘Inscription on monument to be erected at Hengrave, to the late Major SIR EDWARD ROKEWODE GAGE, Bart. — James Forsyth, sculpt.’; newscutting, The Post, 23 SEP 1927, ‘Jesuit Fathers to leave Bury’.