Before p.203: watercolour, ‘Elizabeth Lady Kitson dr. of Sir Thos. Cornwallis Kt.’, from original by Cornelius Janssen, by JOHN LINNELL, 1818.
Between pp.203-204, prints: ‘Brome Hall in the county of Suffolk’, Essayes by Sr. William Cornwallyes, the younger, Knight. Newlie corrected, London, 1632.
Between pp.207-208, print: ‘Henry Howard. Earl of Northampton’ (drawn Harding, engraved Clamp, publ. E.& S. Harding, 1796.
Between pp.210-211, print: ‘Sir Philip Sydney’, drawn Isaac Oliver, engraved J. Houbraken, Amsterdam, 1743, publ. J.& P. Knapton, London, 1744.
Between pp.213-214, prints: Henry III of France and Henry IV and Queen Maria Augusta.
Between pp.217-218, watercolour: ‘Margaret Lady Cavendish, dr. of Sir Thomas Kitson Kt.’, by JOHN LINNELL, 1818.
Between pp.218-219, print: ‘The Right Honourable Elisabeth Lady Cavendish widow of Sr. William Cavendish, and Countess of Shrewsbury’, from original by Cornelius Janson, engraved George Vertue.
Between pp.219-220, prints, ‘The west view of Welbeck Abbey, near Mansfield, in the County of Nottingham’ (drawn and engraved by Samuel Buck, 1726); ‘Chatsworth in Derbyshire’ (painted by Paul Sandby, engraved M.A. Rooker, publ. G. Kearsby, 1775); ‘Old Hardwick Nottinghamshire’ (J.P. Malcolm).
Between pp.223-224, prints: William Cavendish, Marquess of Newcastle; ‘The Duke and Dutchess of Newcastle and their family’ (drawn Abraham à Diepenbeke, engraved Clouet[?].
Between pp.224-225, genealogy of Darcy of Chich St. Osyth, with watercolour coats of arms.
Between pp.225-226, print: ‘St. Osyth Priory the seat of the … Earl of Rochford’ (drawn by Dunthorn, engraved J. Chapman).
Between pp.226-227, watercolour: ‘Thomas first Lord Darcy of Chich’, by SIR THOMAS GAGE[?]; prints, ‘Rich Ld. Chancelor’ (drawn by Holbein, engraved R. Dalton); John Lord Lumley 1609; Henry Earl of Arundel (from the original by Sir Anthony Van Dyck, engraved P. Lombart); watercolour, ‘Mary Countess Rivers, only surviving child, and heir of Sr. Thomas Kytson Knt. The younger’, by SIR THOMAS GAGE[?].
Between pp.228-229, print: ‘Theobalds’ (engraved S. Sparrow junior, publ. Edward Harding[?]).
Between pp.232-233, print: ‘George Carew, Earl of Totnes’ (from original by Zucchero, drawn R.W. Satchwell, engraved H. Meyer, publ. Lackington etc., 1817).
Between pp.234-235, print, Henry Prince of Wales.
Between pp.238-239, watercolours: ‘Monument of Thomas Lord Darcy. Hengrave Church’, by SIR THOMAS GAGE[?]; Kytson of Hengrave, 2nd coat of arms.
Between pp.239-240, prints of James I.
Between pp.244-245, print: ‘George Villiers Duke of Buckingham’ (from original by Cornelius Johnson, engraved James Houbraken, Amsterdam).
Between pp.257-258, print, Charles I (from original by Van Dyck, engraved I. Suyderhoef).
Between pp.263-264, pedigree and table of quarterings of Darcy of Chich.
Between pp.268-269, watercolours of various coats of arms.
Between pp.271-272, print: ‘Thomas Cromwell Earl of Essex’ (from original by Holbein, engraved J. Houbraken, Amsterdam, publ. J.& P. Knapton, London, 1739).
Between pp.274-275, original document, ‘Sir John Gage of Furle, his preferrment at Court’, written by his son Sir Henry Gage, Governor of Oxford, 29 JAN 1630 [=1631]; watercolour, Sir Edward Stradling and Lady Katherine Stradling ‘from a painting on panel in the Burial Chapel … in St. Donats Church, Glamorganshire’, by JOHN BUCKLER, 1815.
Between pp.276-277, pencil sketch and watercolour of Sir John Gage’s monument in Firle Church, by GEORGE EARP, 1846; watercolour, Sir John Gage KG of Furle, from original at Hengrave, by SIR THOMAS GAGE[?]; grey-wash painting of ‘The effigies of Sir John Gage KG and Philippa Guildford his wife in Firle Church Sussex’, by JOHN BUCKLER, 1821.
Between pp.278-279, print: Col. Henry Gage, Governor of Oxford (publ. T. Rodd).
Between pp.279-280, print: ‘Cowdray House, Sussex’ (engraved George Quinton); watercolour of arms of Browne Lord Montague of Cowdray.
Between pp.280-281, print: ‘Thomas Sackville Earl of Dorset’.
Between pp.281-282, watercolour, ‘Sir Henry Gage’s monument on the west side of the north transept of Christ Church Cathedral Oxford’, by JOHN BUCKLER, 1820.
Between pp.282-283, watercolours, ‘Brasses on Sr. Edward Gage’s monumt’, 1 detached, inscribed on back ‘painted for me by GEORGE EARP. 1846. T.R.G.’
Between pp.283-284, pencil drawing, Scotney Castle, Kent, probably by SIR THOMAS GAGE.
Between pp.284-285, print: ‘Sr. Thomas More’ (from original by Holbein, engraved J. Houbraken, Amsterdam, 1740, publ. J.& P. Knapton, London, 1741.
Between pp.285-286, grey wash painting, ‘Mary More, Abbess of the English Austen nuns at Bruges in Flanders and one of the heirs general of the Chancellor More’, ‘copied from a chalk drawing at Hengrave’; print, James I; watercolours, Firle Church, interior, by GEORGE EARP, 1846; ‘Sir John Gage Bart. 1622’, by JOHN LINNELL, 1821.
Between pp.287-288, printed pedigree of Trenchard, of Litchett Maltravers; print, arms of Trenchard[?]; watercolour, Lady Penelope D’Arcy, daughter of Earl Rivers and Mary Kitson.
Between pp.294-295, watercolour, ‘Henrietta Jermyn, wife of Henry Gage’, by SIR THOMAS GAGE?
Between pp.295-296, prints, John Hervey, Treasurer and Receiver General to Her Majesty (from original by Lely, engraved R. Tompson); William Hervey (engraved M. van der Gucht); John Lord Hervey (engraved T. Cook, publ. Thomas Cadell, 1778); watercolours, ‘Susan 1st wife of Sr. William Hervey Knt’, ‘Sr. William Hervey of Ickworth Knt.’, by SIR THOMAS GAGE?
Between pp.296-297, print, Charles I (from copy by Lely of original by Van Dyck, destroyed in Whitehall fire, 1697, engraved J. Faber, 1738).
After p.305, printed inscription on monument to SIR THOMAS GAGE, 7th Bart, in Church of ‘Il Gesu’, in Rome.