Between pp.94-95, print: ‘Mary Queen of France. Charles Brandon Duke of Suffolk’.
Between pp.97-98, print: ‘Francis Russell the 2d Earl of Bedford ob. 1585’ (engraved J. Houbraken, Amsterdam, 1740, printed I. & P. Knapton, London, 1740).
Between pp.101-102, MS pedigree, ‘Bourchier Lord Fitzwarren Earl of Bath’.
Between pp.102-103, watercolours, ‘Henry Manners 2d Earl of Rutland’, ‘Margaret Countess of Rutland’, possibly by SIR THOMAS GAGE; print ‘John Russel the first Earl of Bedford 1549’ (engraved Houbraken etc. as above, printed 1739).
Between pp.103-104, print: ‘Edward Seymour Duke of Somerset’ (after portrait by Holbein; Houbraken, etc., 1738).
Between pp.106-107, print: Queen Mary I (after portrait by Antonio Mor, engraved Josef Vazquez, 1793).
Between pp.107-108, print: ‘The Bishops who suffer’d martyrdom for the Protestant Faith, under the persecution of Q. Mary the 1st’ (engraved R. White, n.d.).
Between pp.125-126, print: ‘Sir William Paulet, K.G. Marquis of Winchester’ (after a painting by Holbein; engraved W.H. Worthington, n.d.).
Between pp.148-149, watercolours, ‘The tomb of Margaret Countess of Bath’, ‘Boucher and manors’, effigies and coats of arms, by SIR THOMAS GAGE.
Between pp.152-153, print: ‘West Stow Hall, Suffolk’ (Architectural antiquities of Great Britain, 1809).
Between pp.155-156, watercolours, ‘The monument of Sr John and Katherine Spencer, at Great Brington Church, Northamptonshire’; ‘Recumbent figures of Sr John and atherine Spencer’ (same monument), probably by SIR THOMAS GAGE; print, Sir Richard Spencer (no details).
Between pp.156-157, prints: Coronation procession of Queen Elizabeth; Francis Henry Egerton, Viscount Brackley (published Silvester Harding, 1793).
(p.158) Watercolours, two coats of arms of Spencer.
(p.159) Print: ‘Westwood in Worcester-shire the seat of … Sr. John Pakington Barronet’.
(p.160) Coloured print: ‘Sir John Packington’ (engraved R. Clamp, publ. E.& S. Harding, 1794).
(p.162) Print: ‘Westwood near Worcester’ (drawn J. Hughes, engraved J. Landseer).
Between pp.165-166, article, FRANCIS DAVISON, ‘Answer to Mrs. Mary Cornwallis pretended Countess of Bath’s libel against the Countess of Cumberland; being a defence of the marriage of William Bourchier, third Earl of Bath, with Elizabeth Russell, daughter of Francis Earl of Bedford’, pp.388-400 in an unnamed publication.
Between pp.167-168, watercolour, ‘Mary Cornwallis wife of William Earl of Bath’, by JOHN LINNELL, 1818.
(p.170) Watercolours, two coats of arms of Spring.
Between pp.170-171, print: Lavenham Church, Suffolk (drawn THOMAS BUTLIN CLUTTON, engraved J.B. Harraden, publ. ‘Mr. Clutton, architect, Cockfield, Suffolk’, 1805).
Between pp.174-175, watercolour, ‘Sir Thomas Kitson Junr. 1573’, by SIR THOMAS GAGE.
Between pp.177-178, watercolour, ‘Jane Lady Kytson, dr. of William Lord Pagett’, by JOHN LINNELL, 1818.
Between pp.478-479, print, ‘William, Lord Paget’ (from original by Holbein, drawn R.W. Satchwell, engraved by W. Holl, publ. Lackington Allen & Co., n.d.).
Between pp.180-181, print, ‘Brome Hall … Suffolk’ (Knyff & Kip).
Between pp.181-182, prints: Queen Elizabeth; Nonsuch Palace.
Between pp.182-183, print: ‘Thomas Howard Duke of Norfolk’ (from original by Antonio Moro, 1562, engraved J. Houbraken, Amsterdam, 1735); Nicholas Bacon (from original by Adrian vander Werff, engraved P. à Gunst); another likeness by Haines.
(pp.184-189) Transcript extracts from household accounts, 1572-73.
(p.190) Original MS, QUEEN ELIZABETH’s licence to empark Hengrave.
Between pp.201-202, watercolour, ‘The tomb of Sir Thomas Kytson the younger’, possibly by SIR THOMAS GAGE.