Frith, Francis, 1822 -1898 (photographer)
Biography
Francis Frith was born on December 7th 1822 in Chesterfield, Derbyshire, England, to a Quaker family (Sackett 1994). He was educated at Ackworth School and Quaker Camp Hill School in Birmingham (Browne and Partnow 1983, p.212). After serving an apprenticeship with a Sheffield cutlery firm, he began a wholesale grocery firm, Liverpool, and later a printing firm (Sackett 1994). He took up photography in 1850 and in the mid-1850s retired from his successful business career. In 1853 he was one of the founders of the Liverpool Photographic Society (Turner 1995, p794). He made his first photographic visit to Egypt in 1856-57. He travelled on the Nile and photographed from Cairo to Abu Simbel. On his return he published a series of views which were enthusiastically received. He made a second trip with his assistant Frank Mason Good in late 1857. A third photographic trip was made in 1859 when Frith travelled beyond the Sixth Cataract. On his return from this third trip Frith set up as a photographer and publisher. His company produced a detailed record of English villages and towns, eventually becoming the largest mass production company in Europe. For a list of Frith photographic publications see: Gernsheim, Helmut (1984), 'Incunabula of British photographic literature : a bibliography of British books illustrated with original photographs'. London: Scolar in association with Derbyshire College of Higher Education.
In 1860 Frith married Mary Ann Rosling. They had five sons and three daughters. Frith died on February 25th 1898. His sons Eustace and Cyril continued the business (Sackett 1994). The firm survived until the 1960s.
Sources:
Browne, Turner and Partnow, Elaine (1983), 'Macmillian biographical encyclopedia of photographic artists and innovators'. New York: Macmillan Publishing Company.
Sackett, Terrance R. (1993) 'Francis Frith'. In: Dictionary of National Biography [CD-ROM]. [S.l.]: Oxford University Press, 1996.
Turner, Jane ed. (1996), 'The dictionary of art'. Volume 11. New York: Grove.
Found in 8 Collections and/or Records:
Entrance to the Great Temple, Luxor, 1857
231 x 161 mm. A view showing the massive stone entrance to the temple with carved hieroglyphics over its face and flanked by two monumental statues of Rameses II buried to the shoulders in the sand and the rubble. Beyond the entrance can be seen the tower of a mosque of more recent date.
Pylon gateway at Medinet Haboo [Habu], 1857
155 x 230 mm. A view showing the massive gateway with sculptured hieroglyphics leading to an inner courtyard at Medinet Haboo, on the western bank of the Nile at Thebes. Frith comments: 'But perhaps nothing will strike the traveller more, as he wanders through these wonderful ruins, than the succession of pylon-gateways, leading from one immense sculptured court to another. The one now represented is, I believe, the third from the entrance.'
The broken obelisk, Karnac, 1857
226 x 160 mm. A view showing a European and two Arabs standing among the ruins of Kamac in front of the fallen obelisk. IN the background stand the Hall of Columns and another obelisk.
The granite pylon, Thebes, 1857
225 x 160 mm. A view showing the ruins of a gateway at Karnac built from large blocks of granite. Frith compares these ruins to the gateway seen in Y30214A/25: '... the present view represents an older, more massive, but less elegant and less elaborately sculptured, edifice which I have called the Granite Pylon, in consequence of its being, as I believe, the only existing extensive pylon-gateway constructed solely of that material.'
The statue of Memnon, Plain of Thebes, 1857
232 x 155 mm. A view showing the two vast seated statues of Amenophis III which were erected in front of the mortuary temple, now disappeared. In the foreground are two Europeans and an Egyptian. The central figure (leaning on a rifle) is identified in 'Creative Camera' (December 1979) in a similar, though not identical view, as being Frith himself.
The statues of Memnon, plain of Thebes, 1857
150 x 224 mm. A view showing a close up of the statues in a vertical formal. There is an European holding a rifle, and a camel, standing in the foreground.