Law, Roger, b 1941 (Artist)
Dates
- Existence: b 1941
Gender
- male
Occupations
Places
- Littleport, Cambridgeshire (Place of Birth)
Found in 387 Collections and/or Records:
Synthetic Fun, 1967
Textile Print Sample, c 1958-c 1960
A piece of cloth that has a printed design by Roger Law. The print was produced while Law was studying at the Cambridge School of Art.
The 12 Days of Christmas, c 1962
A large cartoon mural, which comes in two parts, featuring a felt-tip pen and coloured crayon illustration, created by Roger Law for display at Peter Cook's nightclub, The Establishment. The drawings present on the mural accompany the lyrics to the festive song, The 12 Days of Christmas. There appears to be a third part missing for this mural, as those present only represent days 1 to 6 and 11 to 12 (RL/Pre-/1486).
The Cambridge Review, 1961
The Cartoon Art Trust Charity Auction Catalogue, 1999
The Economist, 1959 - 1961
The Economist, 1975 - 1979
The English Difference, 1974
The Establishment Nightclub Murals, c 1962
The House of Commons/The House of Lords, c 1962
The Journey of the Artist as a Young Man, c 1960
'The Land of Oz', 2005
The Language of the Law, 1965
A file containing a book jacket and an artwork proof for the publication, The Language of the Law: An Anthology of Legal Prose, edited by Louis Blom-Cooper. The book jacket features a pencil/crayon drawing print by Roger Law, which is an illustration of Blom-Cooper (RL/Pre-/980).
The Last Heroes, 1966 - 1967
The Listener, 1985 - 1986, 1989 - 1990
'The Milkman: A Satire on Capitalism' Puppet Film, 1946, 1954, 1962, 1967 - 1968, 1975
The New York Times Book Review, 1995
The New York Times Magazine, c early 1970s-1975
The New York Times Magazine, 1975 - 1976
The Oakridge Report, c 1962
The Observer Magazine, 1984 - 1988
The Observer Magazine, 1963 - 1966
The Observer Weekend Review, 1964
Two hardboard woodcuts featuring print designs by Roger Law, which were used on the front page of the 19 April 1964 issue of The Observer Weekend Review, illustrating an essay written by American writer and civil rights activist, James Baldwin, titled, Why I Stopped Hating Shakespeare. One of the prints has a representation of Baldwin (RL/Pre-/819), and the other has a representation of William Shakespeare (RL/Pre-/911).